The Eternal 27:28 Triple Octave Displacement under The 72:81:88 Differential Apparition

2016 | Sine Waves | Installation

Presented in a setting of Quadrilateral Starfield Symmetry A:L Base 11:273
Randy Gibson's <em>Quadrilateral Starfield Symmetry A:L Base 11:273</em> with <em>The Eternal 27:28 Triple Octave Displacement under The 72:81:88 Differential Apparition</em> installed at The Davis Museum, Wellesley, MA
Randy Gibson's Quadrilateral Starfield Symmetry A:L Base 11:273 with The Eternal 27:28 Triple Octave Displacement under The 72:81:88 Differential Apparition installed at The Davis Museum, Wellesley, MA | Photo by Randy Gibson
World Premiere: Avant Music Festival - Wild Project, New York, NY - March 4th, 2016
Randy Gibson's <em>Quadrilateral Starfield Symmetry A:L Base 11:273</em> with <em>The Eternal 27:28 Triple Octave Displacement under The 72:81:88 Differential Apparition</em> installed at The Davis Museum, Wellesley, MA
Randy Gibson's Quadrilateral Starfield Symmetry A:L Base 11:273 with The Eternal 27:28 Triple Octave Displacement under The 72:81:88 Differential Apparition installed at The Davis Museum, Wellesley, MA | Photo by Randy Gibson

Part of the Constellations:

72:81:88 | 2016 - 2017

27:28 | 2011 - 2017

Presentation History
The Davis Museum | Wellesley, Massachusetts : March 10 - 12, 2016
Seventh Avant Music Festival | New York City : February 20 - March 5, 2016
See Also:
The First Pillar Imploding The Principal Drone Under The Addition Of 9 In Melodic Counterpoint From Apparitions Of the Four Pillars | Voice and Pitch Shifting Vocal Drones to be recorded on Cassette Tapes | 2013
Twilight Symmetry Intervention | Bass-Frequency Sine Waves | 2017
27:28 | | 2017
Quadrilateral Evocation | video installation | 2017
Rational Wedge 21:28 (White) | | 2018
The Third Pillar with its Lowest Primes and Memories of The Second Pillar from Apparitions of The Four Pillars | Prime Harmonic Sine Waves, Soloists and Cantus Firmus | 2010
Intoning The Starfield Symmetry | Sine Waves, Voice, and Harmonic Delays | 2015